Louis Chalif


Russian, Ukrainian
Russian, Ukrainian, international

Louis Chalif from The Healthful Art of Dancing by Luther Halsey Gulick, 1911, as found in Balkan Fascination by Mirjana Lausevic



Louis Chalif Louis Chalif Louis Harvy Chalif, who was born in 1876, was a renowned Russian ballet dancer. He began studying ballet at the age of nine in Odessa, Russia. He studied at the Government Theatre under Thomas L. Njinski, the father of the great artist, Vaslav. He traveled as a dancer with the Imperial Moscow Ballet, under the supervision of Lidia M. Gerten, the prima ballerina of the day.

Louis later traveled through Europe and became ballet master of the Odessa Government Theatre.

Louis immigrated to New York City In 1904. He was appointed director of physical training in the public schools of New York City, New York.

In 1905, Louis taught a class at the annual convention of the American Society of Teachers of Dancing. In 1905, he also opened the Louis H. Chalif Normal School of Dancing (also called the Chalif Normal School of Dancing) in New York at 5-9 W. 42nd St. He instructed teachers of dance, "physical culture," and recreation, as well as aspiring professional dancers and children. The Chalif School was one of the earliest schools in the United States to instruct teachers in dance.

He became known as "the dean of New York dance teachers" and "the first Russian ballet master to teach in America."

In 1905-06, he danced with the Metropolitan Opera Ballet and was assistant ballet master under Luigi Albertieri.

In 1907, he moved his school to 7 W. 42nd St.

In 1908, Louis was hired to teach folk dances at the Second Annual Convention of the Congress of the Playground Association of America.

Louis taught folk dancing at the School of the Ethical Culture Society in New York, founded by Felix Adler. In 1909, he also taught "athletic dancing" at YMCAs and became the Director of the Historical, Pantomime, National, and Folk Dances of the Hudson-Fulton Celebration in New York. He was director of dance at the Hudson-Fulton Celebration in 1909.

After 1910, Louis stopped performing and focused entirely on teaching dance. He was president of the American Society of Teachers of Dancing. From 1910 to 1918, he was instructor to the American Society of Professors of Dancing. Louis was a founder of the Dance Art League of America.

In 1913-1914, his school was relocated to a building commissioned by Louis, the Temple to Terpsichore on W. 57th St., across the street from Carnegie Hall.

In 1916, the Louis H. Chalif Normal School of Russian Dancing building was built to the design of architects George A. and Henry Boem. Louis boasted in 1921 that "altogether the [Chalif School] building is unparalleled for its purposes in America, and a striking evidence of the success which this school has met with through giving the best instruction." Louis always loved the building and even after it passed into other hands he never missed an opportunity to walk by just to look at it.

He was active as a teacher in settlement houses in New York City, such as the Henry Street Settlement. Louis gave workshops throughout the country, teaching various types of dancing and organizing folk festivals for colleges, playgrounds, schools, YMCAs, etc.

In 1933, Louis moved out of the Normal School building.

By 1937, Louis was teaching at the International Building at Rockefeller Center, 630 5th Ave.

He authored many works, five of which have been translated into several foreign languages. He arranged some 1,200 dances which were compiled according to their level of difficulty within the categories of Aesthetic, Ballet, Ballroom, Character, Folk, Historical, National, and Pantomime. He opposed modern dance and was a member of a number of Jewish organizations and of Temple Rodeph Sholom.

"Dance Magazine" in 1945 credited him with popularizing "bar work, toe work, [and] classical music in the dancing school" and placed him "at the forefront of the movement that introduced ballet instruction to the average American child," and that adapted and simplified Russian ballet technique that could be employed in physical education instruction.

Through his educational efforts, particularly at the Louis H. Chalif Normal School of Dancing, Louis Chalif was influential in the promotion of dance in New York City and the United States. Louis Harvey Chalif died in 1948.

Louis Chalif's articles and publications include

Dances Louis taught include 2nd Hungarian Rhapsody, A Flower of Spain, Allemande, America, Andalusian Gypsy (The), Anitra's Dance, Atlanta, Baborák, Bavarian Folk Dance, Beauty of the Alps (The), Beaux of Oak Hill, Bridge of Avignon (The), Blue Veil (The), Bolero, Bonnie Dundee, Bouncing Betty, Bourrée (La), Brahms' 5th Hungarian Dance, Bulgarian Folk Dance, Ca la Breaza, Cachuka, Campanella (La), Canaries, Cavalry Man (The), Chaconne, Cherry Blossoms, Chesbogáar, Cleopatra's Dance, Coranto, Countess (The), Crakovienne, Créole (La), Croatian Folk Dance, Csárdás, Czech Dance, Debtchi, Dionysia, Donskoi Cossack Dance, Dovecote (The), Dunaia, Dutch Dolls, Dutch Twins, Enchantress, Evening Song, Farewell, Féte Hongroise, First of May, Flemish Folk Dance, Fricassée, Friendship, Furlana, Gaillard, Gavotte Pastorale, Gavotte Waltz, Giselle, Gondolier (The), Góralski Taniec, Grandmother's Minuet, Gretchen, Gypsy Camp (The), Hallowe'en Dance, Her Warrior, Hewett's Fancy, Highland Fling, Highland Schottische, Hussar (The), Inca Princess (The), Indian Maids, Irish Lilt, Japanese Group Dance, Japanese Lanterns, Jota Aragonesa, Kasatchok, Klumlpakojia, Khorovó, Kolomaika, Krakowiak, Kriputis, Kujawiak, Kukushka, La Feria, La Mancha, Lady Tulip, Lezginka, Little Miss Dainty, Little Princess (The), Long Dance, Lujick, Madrileña, Maid-of-Honor, Magyar (The), Malagueñ, Manchegas, Marysia, May, May Dance, Maypole Dance, Mazovian Maid, Menuet de la Cour, Menuet de la Rine, Minuet-Waltz, Mony Musk, Moon Dance, Morris Dance, Mountain Trio, Musette, Norman Folk Dance, Obertass, Oditza, Off She Goes, Old English Folk Dance, Old Gaditano, Old Rustic Dance, Old Welsh Dance, Ostendaise, Over There, Ozeidja, Pagan Dance, Paloma (La), Pansky, Passapied, Pavane, Pearl of Andalusia Tango, Pied Piper (The), Plyasováia, Pletyonka, Polish Princess, Polonaise, Polovetzian Girl's Dance, Polska, Portland Fancy, Queen of Swords, Red Sarafan (The), Rigaudon, Ring Dance, Ritka, Russe (La), Russian Bride's Dance, Russian Court Dance, Russian Quadrille, Russian Rhapsody, Russian Wedding (A), Saibara, Sailor's Hornpipe, Salammbó, Saltarella, Sarabande, Saturnalia (Bacchanale), Scalp Dance, SeljanĨica, Shamrock (A), Siciliano, Slav Dance, Slovak Folk Dance, Snake Dance, Soldier's Joy, Sorrentina, Spanish Fan Dance, Spanish Rhapsody, Skákáni Skoky, Snow Storm, Springtime, Srbijanka, Statch i Zoඔka, Strasák, Suktinia, Sunlight Sketch, Swadébnaia, Sword Dance, Sylvan Scene, Sylvia Waltz, Tatra Dance, Tamobourin (Le), Tarantella, Tarantula, Ta-Tao, Tempéte (La), Thanksgiving Dance, Three-hand Ring, Tourdion, Tripoli-Tripola, Troika, Tyrolian Trio, Tyrolienne, Ukrinsky, Urushka, Villagers (The), Waterfall (The), Wayside in Bohemia (The), Wengierka, Westphalian Peasant Dance, Wheel (The), Windsor Terrace, White Rose Mazurka, Windmill (The), Wooden Shoes, Zpojecki, and Zorongo, plus many, many ballet, ballroom, character, childrens', classic, demi-character, esthetic, interpretive, national, and toe dances.


Louis Chalif - Studio Building



Louis Chalif - Peacock Room



Louis Chalif - Grand Ballroom



Louis Chalif - Rose Room Banquet Hall


Photo 1: The Louis H. Chalif Normal School of Dancing, 165 W. 57 St., New York, 1916.
Photo 2: Peacock Room
Photo 3: Grand Ballroom
Photo 4: Rose Room Banquet Hall